The Fox and The Hedgehog

Why are so many experts so wrong, yet people keep listening to them? Who really is worth listening to about the future? Philip Tetlock, the author of Expert Political Judgement builds on Isaiah Berlin’s characterization of judgment modes into Hedgehogs (who know one big thing) and Foxes (who know many things). Hedgehogs don’t notice and don’t care when they’re wrong; that’s why they’re so compelling. Foxes learn.

Hedgehogs believe in Big Ideas – in governing principles about the world that behave as though they were physical laws and undergird virtually every interaction in society. Foxes, on the other hand, are scrappy creatures who believe in a plethora of little ideas and in taking a multitude of approaches toward a problem. Hedgehogs are more easily seduced by clear narratives. Foxes are more data-driven, less willing to stake out strong positions.

Hedgehogs: “relate everything to a single central vision …in terms of which all that they say has significance.” They over simplify, don’t use diverse data sources.

Foxes: “pursue many ends, often unrelated and even contradictory….entertain ideas that are centrifugal rather than centripetal;…..without seeking to fit them into, or exclude them from, any one all-embracing inner vision.”

One should be able to consider two sides of the argument, think in terms of probabilities rather than certainties, and be able to hold conflicting thoughts.

Foxes believe in a plethora of little ideas and in taking multitude of approaches toward a problem. They tend to be more tolerant of nuance, uncertainty, complexity, and dissenting opinion. Most innovations and new ideas are found in tiny places where others fail to look. Ignoring the hedgehogs and generally accepted thinking will afford opportunities to see familiar problems in new ways. ~ Nate Silver

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Howard Stein

South African-born graphic designer, illustrator, photographer, trained in the US and abroad, I have worked commercially for giant firms and tiny concerns. As a fine artist I have large abstract works hanging in corporate and private collections in eight countries. I now work as a Creative Director in New York City.

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